Thursday, February 24, 2011
Wednesday, February 23, 2011
Tuesday, February 22, 2011
What do Ozzy Osbourne, The Ramones, Missy Eliot, Ludacris, and California Swag District all have in common? They're all sampled on track one of the new Girl Talk album! If you don't know what Girl Talk's about then try and picture this: you know all those top 20 songs you hear on the radio or on mtv all the time? You know, the ones you say you don't like but catch yourself singing at the strangest times? Okay, now how about all those classic 80s/90s songs that you don't know who sings or even what theyre names are, but have been in every movie/commercial/tv show you've ever seen? Okay, now how about all those 'alternative' bands that you hear playing whenever you walk into the apple store, barnes and nobles, or any store in your mall that sells guys' skinny jeans? Well take all of those and throw them in a blender and puree them until it becomes one smooth, uniform mix. That's basically what Girl Talk sounds like. He takes all the catchy parts from songs you already know (whether your willing to admit it or not) and mixes them together into something that sounds 100x better than the originals. "But if I don't like the original songs why would I like them all at once?" you might be asking yourself, but let me assure you, even if you hate all radio music, even if you consider yourself too 'Hardcore' to listen to anything but Grindcore and Thrash, you'll still like Girl Talk. It's just one of those things that everyone likes (except maybe mashup snobs, but they're just kidding themselves). Honestly it's not something you can understand until you've actually heard it, which you should have considering I posted a song at the top of this blog, if you haven't do yourself a favor and check it out, you wont be disappointed, swearsies.
I know a lot of you out there aren't gonna download an album from a band you've never heard of just cause I told you to, so check out Track 2: 'Transitions' and see for yourself why you should never doubt anything I say ever again.
Usually when I download new music I do it in bulk. Once an album finishes downloading I listen to a song or two off it while I continue my search for more to download, not paying it all that much mind, just enough to get the gist of it and see what it's all about. When All of the Above Finished downloading I loaded it to iTunes, started the first song, minimized iTunes, and went back to Last.fm to search for more music. 2 minutes later my internet browser was closed and I was intently listening to every note on the record. With one song I was so impressed with this EP I had to stop everything I was doing so I could give this album my undivided attention, and as soon as it was finished I was so pumped about it I had to immediately begin writing a review for it…so here it is:
Structures is a Progressive Metalcore/Deathcore band the likes of which I've never seen. Before I start, let me say that usually I can't get into Deathcore at all, in my opinion the whole genre feels shallow and insincere. First off, I don't see how anyone could be expected to take these bands seriously with names like 'Decrepit Birth' or 'Carnifex'. It's like they purposely choose names that make people think 'these guys are scary' so they can feel cool/tough when in reality they're just a bunch of bitchasses. I guess what I'm trying to say is that Deathcore seems to be more about 'intimidation' than it is about anything else, I guess to people who listen to heavy music because they want to be feel tough or 'hardcore' than it suits them perfectly, but that's not why I listen to heavy music…at all. With that being said, lets continue with the review….
As far as the Deathcore aspect of their music is concerned Structures has all their bases covered; there's downtuned guitars with plenty of dissonance, chugging riffs with breakdowns to match, and bass drops so big they make your entire body shake. Without a doubt these guys are as 'brutal' as any other Deathcore band out there, but unlike so many other bands, Structures understands that there's more to making good music than just breakdowns and dissonance. Whether it be airy guitar melodies akin to Misery Signals, super-fast upbeat Math Rock riffs ala Tera Melos, even taking cues from bands like Emarosa or Broadway, All of the Above is constantly incorporating concepts from a huge range of influences to give each song its own personality and adds a much needed layer of depth to the Deathcore formula. And while that formula may be at the core (no pun intended) of each song, it's the addition of all these different influences that will have you coming back to this EP over and over again. Structures is definitely a name to look out for, if they can expand on what they've done here on their next release they'll become a colossal force.
Tuesday, February 15, 2011
Listen to My Favorite Track Off The Album "For The Record" While Given This A Read/Waiting for the Download To Finish.
If Rock and Roll existed in Ancient Greece then Everytime I Die would be the gods they prayed to. If you don't know Everytime I Die by now, what the fuck are you doing man? For the last 10 years these guys have been tearing shit up with their own brand of Hardcore infused with the Spirit of Rock and Roll. They take all the brutalness of hardcore and give it just enough personality to make it stand miles apart from the rest of the bunch. If you're into heavy music, listen to all their albums, they're all top notch. New Junk Aesthetic is no exception, while it may be a tad less heavy than previous releases, it's still a great release and perfectly captures what Everytime I Die is all about.